Charles Bryant

Archive for August, 2008

Milonga triste

In Music, Tango on August 26, 2008 at 10:49 pm

Now here is some of the most creative work of music ever produced. Yes, its tango and I selected a You Tube video where the dance wasn’t completely in the dark.  Its very visible, the woman’s white stockinged legs celebrate the fluidity and subtleness of the Argentine tango. It is also the opening track of “The Tango Lesson” a movie starring and directed by Sally Potter. On a later track Sally Potter provides the lyrics and vocals to the same tune of Milonga Triste in a tune called “I am You”. She uses the the bandeleon and Yo-Yo Ma on cello. I’ll post that later for comparison, but for now, if you haven’t heard this music of Milonga Triste….enjoy

COMPOSED BY: SEBASTIÁN PIANA & HOMERO MANZI

PERFORMED BY: HUGO DÍAZ Y SU CONJUNTO

DOUBLE-BASS: OMAR MURTAGH

GUITAR: ROBERTO GRELA

PIANO: JOSÉ LEONARDO COLANGELO

HAMONICA: HUGO DÍAZ

RECORDED IN BUENOS AIRES, IN 1972.

Cape Town Philharmonic – hearing seven voices

In Benjamin Zander, Music on August 25, 2008 at 9:58 pm

Yesterday saw the Cape Town Philharmonic orchestra perform under the conductor Ben Zander. A rather glum faced group without shining eyes looked a bit as if they had heard it all before, as Zander ran a commentary on clasical music using the orchestra to demonstrate his point. The music however spoke more than the faces. Playing Beethoven’s 5th Zander brought in parts of the orchestra in stages, each one a voice he asked the audience to hold on to. First the Cellos, then the double bass, then the violas, the bassoon, the clarinet, and the violins. Seven distinct instruments or voices deomposed and then together. Final rehearsal for Beethoven’s 9th on Wednesday night at the City hall. Should be worth it.

Gustavo Santaolalla – De Usuahia a la Quiaca

In Motorcycle Diaries, Music on August 24, 2008 at 8:39 pm

I’ll come back to tango many times in this blog but right now I want to open up the channels to some other  music that rocks my boat (read inspires). This is from The Motorcycle diaries and is another Argentine musician and composer Gustavo Santaolalla who wrote the music and in this video is playing the Charango

The charango is usually made with a dried armadillo shell for the back and wood for the soundbox top, neck etc, today charangos are commonly made of wood, with a bowled back imitating the shape of the armadillo shell. Unlike most wooden lutes, the body and neck are typically made of a single block of wood, carved into shape. The charango’s ten strings require quite a large headstock, often approaching or even exceeding the size of its diminutive sound box. Aside from these visual distinctions, it resembles a small ukelele.

From Libertango to Grace Jones

In Tango on August 24, 2008 at 1:03 pm

Written by Astor Piazzollain 1974 and choreographed with a tango movement to the Grace Jones adaptation of Libertango.  Ástor Pantaleón Piazzolla (1921 – 1992) was an Argentine tango composer and bandoneon player.”I’ve Seen That Face Before” which melded Piazzolla’s Argentine tango classic with a reggae beat, and lyrics partly sung in French is off Grace Jones’ album “nightclubbing” in 1981.

What is tango ? Probably one of the most erotic dances of all, characterised by the “pause” before the plunge and the clipped breathless sound of the accordion like bandoneon

Benjamin Zander – music creativity transformation & leadership

In Benjamin Zander on August 20, 2008 at 8:06 am


Yesterday my daughter and i joined a packed Artscape to hear Benjamin Zander talk about the Art of Possibility Not only does he know about the of performance, he showed in his dynamic presentation the difference between motivational speaking and the ability to evoke a transformation into the almost fourteen hundred strong audience.

Zander is best known as the conductor of the Boston Philharmonic orchestra but with extroadinary energy he is also in much demand around the world as a speaker on leadership, music and creativity. For around 2 and a half hours and at almost 70 years of age he delivered an experience I would not liked to have missed. Here’s a brief summary.

You have to take a risk

People think making a mistake is the worst thing you can do.  However, only through mistakes can we see where we’re lacking, where we need to work. But we hate mistakes so we play it safe. Yet long term nothing could be more dangerous if our goal is to be insanely great at what we do. Zander suggests that instead of getting so dejected by mistakes, we instead exclaim loudly (or to ourselves) “How fascinating!”every time we make a mistake. Think about that. Another mistake? How fascinating! Another opportunity to learn something just presented itself. Another unlucky break? No worries! Move forward.

Give someone an A

Zander suggests awarding the A symbol at the outset of an assignment aligning teacher with student, manager with staff etc and in this way bring people together under a common purpose. The awarding of the A kindles a respect, a joy and a sense of positive application in family, workplace and the community.

It’s not (always) about success/failure, it’s about contribution

Rather than asking questions such as “Will I be appreciated?” or “Will I win them over?” and so on, ask “How can I make a contribution?”

“We are about contribution, that’s what our job is … everyone was clear you contributed passion to the people in this room. Did you do it better than the next violinist, or did he do better than a pianist? I don’t care, because in contribution, there is no better!”

The real power is in making others powerful

Zanders decisive moment came when after 20 years of conducting he cam to the realisation that as a leader and conductor, he didn’t make a sound, and that his job was to make the members of his orchestra powerful. the same applies to all leadership and replaces the autocratic style of long ago.


Don’t take yourself so seriously! (Rule No 6)

“Lighten up,” Says Zander, “and you lighten up those around you.” This is not to suggest that you shouldn’t take your work seriously (you should), or even that you shouldn’t take yourself seriously (that may depend on time and place), but for absolute certainty we must all get over ourselves. There is perhaps no better way to “get over ourselves” than the use of humour.

One buttock playing

When musicians truly get into the music and play it with such heart and emotion that audiences are moved beyond words, Zander noticed that the music was flowing through the musicians, taking control of their bodies as they swayed from side to side. Zander, then, urges musicians to become “one-buttock players,” that is to let the music flow through their bodies, causing them to lean and to move from one buttock to the other. If you’re a musician, or making a performance of virtually any kind, and you are totally in the moment and connecting with the language of the music and the audience, there is no way you can be a “two-buttock player.” You’ve got to move, you’ve got to connect, and you must not hold back your passion but instead let the audience have a taste of the commitment, energy, and passion you have for the music (or the topic, the ideas, etc.).

Benjamin Zander – Landmark

In Benjamin Zander on August 20, 2008 at 7:46 am

Benjamin Zander – Davos Summit 2008

In Benjamin Zander on August 19, 2008 at 9:38 pm

Benjamin Zander

In Benjamin Zander on August 19, 2008 at 9:35 pm

Hello world!

In Uncategorized on August 19, 2008 at 9:31 pm

Creating possibilities.

Hello